Seppuku

Seppuku (切腹, Seppuku? "stomach-cutting") is a form of Japanese ritual suicide by disembowelment. Seppuku was originally reserved only for samurai. Part of the samurai honor code, seppuku was used voluntarily by samurai to die with honor rather than fall into the hands of their enemies, as a form of capital punishment for samurai who have committed serious offenses, and for reasons that shamed them. Seppuku is performed by plunging a sword into the abdomen and moving the sword left to right in a slicing motion. The practice of committing seppuku at the death of one's master, known as oibara (追腹 or 追い腹, the kun'yomi or Japanese reading) or tsuifuku (追腹, the on'yomi or Chinese reading), follows a similar ritual.

Vocabulary and etymology
The most famous form of seppuku is also known as harakiri (腹切り, "cutting the belly") and is written with the same kanji as seppuku but in reverse order with an okurigana. In Japanese, harakiri is a colloquialism, seppuku being the more formal term. Samurai would use seppuku, whereas ordinary Japanese (who in feudal times as well as today looked askance at the practice) would use harakiri. Harakiri is the more common term in English, where it is often mistakenly rendered "harikari"[citation needed].

Overview
Seppuku was a key part of bushido, the code of the samurai warriors; it was used by warriors to avoid falling into enemy hands, and to attenuate shame. Samurai could also be ordered by their daimyo (feudal lords) to commit seppuku. Later, disgraced warriors were sometimes allowed to commit seppuku rather than be executed in the normal manner. The most common form of seppuku for men was composed of the cutting of the abdomen, and when the samurai was finished, he stretched out his neck for an assistant to decapitate him. Since the main point of the act was to restore or protect one's honor as a warrior, those who did not belong to the samurai caste were never ordered or expected to commit seppuku. Samurai generally could only commit the act with permission.

Sometimes a daimyo was called upon to perform seppuku as the basis of a peace agreement. This would weaken the defeated clan so that resistance would effectively cease. Toyotomi Hideyoshi used an enemy's suicide in this way on several occasions, the most dramatic of which effectively ended a dynasty of daimyo forever, when the Hōjō were defeated at Odawara in 1590. Hideyoshi insisted on the suicide of the retired daimyo Hōjō Ujimasa, and the exile of his son Ujinao. With one sweep of a sword, the most powerful daimyo family in eastern Japan was put to an end.

Ritual
In time, committing seppuku came to involve a detailed ritual. This was usually performed in front of spectators if it were a planned seppuku, not one performed on a battlefield. A samurai was bathed, dressed in white robes, fed his favorite meal, and when he was finished, his instrument was placed on his plate. Dressed ceremonially, with his sword placed in front of him and sometimes seated on special cloths, the warrior would prepare for death by writing a death poem. With his selected attendant (kaishakunin, his second) standing by, he would open his kimono (robe), take up his tantō (knife) and plunge it into his abdomen, making a left-to-right cut. The kaishakunin would then perform dakikubi, a cut in which the warrior was all but decapitated (a slight band of flesh is left attaching the head to the body). Because of the precision necessary for such a manoeuver, the second was often a skilled swordsman. The principal agreed in advance when the kaishakunin was to make his cut, usually as soon as the dagger was plunged into the abdomen.

This elaborate ritual evolved after seppuku had ceased being mainly a battlefield or wartime practice and become a para-judicial institution (see next section).
The second was usually, but not always, a friend. If a defeated warrior had fought honorably and well, an opponent who wanted to salute his bravery would volunteer to act as his second.

In the Hagakure, Yamamoto Tsunetomo wrote:
From ages past it has been considered ill-omened by samurai to be requested as kaishaku. The reason for this is that one gains no fame even if the job is well done. And if by chance one should blunder, it becomes a lifetime disgrace.

In the practice of past times, there were instances when the head flew off. It was said that it was best to cut leaving a little skin remaining so that it did not fly off in the direction of the verifying officials. However, at present it is best to cut clean through.

A specialized form of seppuku in feudal times was known as kanshi (諌死, "death of understanding"), in which a retainer would commit suicide in protest of a lord's decision. The retainer would make one deep, horizontal cut into his stomach, then quickly bandage the wound. After this, the person would then appear before his lord, give a speech in which he announced the protest of the lord's action, then reveal his mortal wound. This is not to be confused with funshi (憤死, indignation death), which is any suicide made to state dissatisfaction or protest. A fictional variation of kanshi was the act of kagebara (陰腹, "shadow stomach") in Japanese theater, in which the protagonist, at the end of the play, would announce to the audience that he had committed an act similar to kanshi, a predetermined slash to the stomach followed by a tight field dressing, and then perish, bringing about a dramatic end.

Some samurai chose to perform a considerably more taxing form of seppuku known as jūmonji giri (十文字切り, "cross-shaped cut"), in which there is no kaishakunin to put a quick end to the samurai's suffering. It involves a second and more painful vertical cut across the belly. A samurai performing jumonji giri was expected to bear his suffering quietly until perishing from loss of blood, passing away with his hands over his face.

Seppuku as capital punishment
While the voluntary seppuku described above is the best known form, in practice the most common form of seppuku was obligatory seppuku, used as a form of capital punishment for disgraced samurai, especially for those who committed a serious offense such as unprovoked murder, robbery, corruption, or treason. The samurai were generally told of their offense in full and given a set time to commit seppuku, usually before sunset on a given day. If the sentenced was uncooperative, it was not unheard of for them to be restrained, or for the actual execution to be carried out by decapitation while retaining only the trappings of seppuku; even the short sword laid out in front of the victim could be replaced with a fan. Unlike voluntary seppuku, seppuku carried out as capital punishment did not necessarily absolve the victim's family of the crime. Depending on the severity of the crime, half or all of the deceased's property could be confiscated, and the family stripped of rank.

Celebrated sword "Kotetsu"

Nagasone Kotetsu (長曾禰虎徹) (c. 1597-1678) was a Japanese swordmaker of the early Edo period. Kotetsu was born in Sawayama around 1597, and was first known as Nagasone Okisato. His father was an armorer who served Ishida Mitsunari, the lord of Sawayama. However, as Ishida was defeated by Tokugawa Ieyasu at the Battle of Sekigahara, the Nagasone family and some other craftsmen from Sawayama went to Echizen province, where they took refuge in Fukui city.

Kotetsu worked as an armorer for some time, but later switched to swordmaking. His swords were known for their great strength and their ability to cut through helmets. However, Kotetsu's swords were often faked, and they were so well faked that even Kotetsu himself is said to have not been able to tell the difference. When presented with a fake on one occasion, he is reported to have said "The blade is mine but the signature is not. It is interesting to note that records exist which state that Nagasone Kotetsu only forged thirty one swords bearing the name.

Perhaps one of the most famed Kotetsu blades was a fake: that of Kondō Isami, the commander of the late Edo-era patrol force called Shinsengumi. However, this sword was not a Kotetsu, but instead a sword made by the foremost smith of that era (known in Japanese swordmaking history as the shinshin-to era), Minamoto Kiyomaro, and bearing a forged Kotetsu signature made by master signature-faker Hosoda Heijirō.

Nagasone Okisato took the name Kotetsu upon taking the Buddhist tonsure in Edo, at Kan'eiji Temple, in the Ueno district. He was active in the Kantō Region for some time, as well as in Edo itself, passing away in 1678. Two of his most prominent students and successors were Nagasone Okinao and Nagasone Okihisa.

"Kotetsu" is used as a name for swords in various anime, manga, and video game series, such as Rurouni Kenshin and Black Cat.

Celebrated sword "Masamune"

Masamune (正宗), also known as Goro Nyudo Masamune (Priest Goro Masamune), is widely recognized as Japan's greatest swordsmith. As no exact dates are known for Masamune's life, he has reached an almost legendary status. It is generally agreed that he made most of his swords in the late 13th and early 14th centuries, 1288 - 1328. He created swords, known as tachi in Japanese and daggers called tantō, in the Soshu tradition. He is believed to have lived and worked in the Sagami Province. Some old stories list his family name as Okazaki, but some experts believe this is a fabrication to enhance the standing of the Tokugawa family.

An award for swordsmiths exists called the Masamune prize which is awarded at the Japanese Sword Making Competition. Although not awarded every year it is presented to a swordsmith who has created an exceptional work.

Masamune is believed to have worked in Sagami Province during the last part of the Kamakura Era (1288 - 1328), and it is thought that he was trained by swordsmiths from Bizen and Yamashiro provinces, such as Saburo Kunimune, Awataguchi Kunitsuna and Shintogo Kunimitsu.

Style
The swords of Masamune have a reputation for superior beauty and quality, remarkable in a period where the steel necessary for swords was often impure. He is considered to have brought the art of 'nie' (martensitic crystals embedded in pearlite matrix, thought to resemble stars in the night sky) to its perfection.

Masamune studied under Shintogo Kunimitsu and made blades in suguha (straight temper line) but he made magnificent notare hamon, where the leading edge of blade slowly undulates where it was quenched. There are also some blades with ko-midare (small irregularities) which appears to have been copied from the Old Bizen and Hoki Province styles. His works are well characterized by rich chikei (clear grey lines on the leading edge) and kinsuji (lines like lightning streaking across the blade), and beautiful nie (a grey shadow on the front of the blade caused by quenching).

Swords created by Masamune often are referred to with the smith's name (much the same way that other pieces of artwork are), often with a name for the individual sword as well. The Honjo Masamune, a symbol of the Tokugawa shogunate and passed down from one shogun to another, is perhaps the best known Masamune sword.

Signed works of Masamune are rare. The examples "Fudo Masamune", "Kyogoku Masamune", and "Daikoku Masamune" are accepted as his genuine works. Judging from his style, he was active from the late Kamakura period to the Nanboku-cho era.

His swords are the most frequently cited among those listed in the Kyôho Meibutsu Cho[4], a catalogue of excellent swords in the collections of daimyos edited during the Kyoho era by the Hon'ami family of sword appraisers and polishers. The catalogue was created on the orders of the Tokugawa Yoshimune of the Tokugawa Shogunate in 1714 and consists of three books. The first book known as the Nihon Sansaku is a list of the three greatest sword smiths in the eyes of Toyotomi Hideyoshi including Etchu Matsukura Go Umanosuke Yoshihiro, Awataguchi Toshiro Yoshimitsu, and lists 41 blades by Goro Nyudo Masamune. The three books together list 61 blades by Masamune. There are far more blades listed for Masamune than the next two sword smiths combined. It is known that Hideyoshi had a passion for Soshu sword smiths which may explain this. A third of all swords listed are Soshu blades by many of the greatest Soshu masters including Masamune's students.

Comparison with Muramasa
The swords of Masamune are often contrasted with those of Muramasa, another Japanese swordsmith. Muramasa has alternatively been described (incorrectly) as a full contemporary of Masamune, or as Masamune's student. Since Muramasa dated his work, it is known he worked right around 1500 AD, and as such he lived too late to have met Masamune. In legend and fantasy, Muramasa's blades are described as bloodthirsty or evil while Masamune's are considered the mark of an internally peaceful and calm warrior.

Legends of Masamune and Muramasa
A legend tells of a test where Muramasa challenged his master, Masamune, to see who could make a finer sword. They both worked tirelessly and eventually, when both swords were finished, they decided to test the results. The contest was for each to suspend the blades in a small creek with the cutting edge facing the current. Muramasa's sword, the Juuchi Yosamu (10,000 Cold Nights) cut everything that passed its way; fish, leaves floating down the river, the very air which blew on it. Highly impressed with his pupil's work, Masamune lowered his sword, the Yawaraka-Te (Tender Hands), into the current and waited patiently. Not a leaf was cut, the fish swam right up to it, and the air hissed as it gently blew by the blade. After a while, Muramasa began to scoff at his master for his apparent lack of skill in the making of his sword. Smiling to himself, Masamune pulled up his sword, dried it, and sheathed it. All the while, Muramasa was heckling him for his sword's inability to cut anything. A monk, who had been watching the whole ordeal, walked over and bowed low to the two sword masters. He then began to explain what he had seen.

"The first of the swords was by all accounts a fine sword, however it is a blood thirsty, evil blade as it doesn't discriminate as to who or what it will cut. It may just as well be cutting down butterflies as severing heads. The second was by far the finer of the two, as it doesn't needlessly cut that which is innocent and undeserving."
In another account of the story, both blades cut the leaves that went down on the river's current equally well, but the leaves would stick to the blade of Muramasa whereas they would slip on past Masamune's after being sliced. Or alternatively both leaves were cut, but those cut by Masamune's blade would reform as it traveled down the stream. Yet another version has leaves being sliced by Muramasa's blade while the leaves were repelled by Masamune's, and another again has leaves being sliced by Muramasa's blade and healed by Masamune's.

In yet another story Muramasa and Masamune were summoned to make swords for the Shogun or Emperor and the finished swords were held in a waterfall. The result is the same as the other stories, and Masamune's swords are deemed holy swords. In one version of the story Muramasa is killed for creating evil swords.

While all known legends of the two ever having met are historically impossible, both smiths are widely regarded as symbols for their respective eras.

Cursed sword "Muramasa"

Muramasa Sengo (千子 村正 Sengo Muramasa) was a famous swordsmith who founded the Muramasa school and lived during the Muromachi period (16th century) in Japan. Oscar Ratti and Adele Westbrook said that Muramasa "was a most skillful smith but a violent and ill-balanced mind verging on madness, that was supposed to have passed into his blades....They were popularly believed to hunger for blood and to impel their warrior to commit murder or suicide."

The school of sword-making at Ise province was famous for the extraordinary sharpness of their blades. The earliest known work of the school is dated at 1501; the Muramasa school continued into the late 1500s. It's believed that Sengo Muramasa was a student of Heianjo Nagayoshi, a prominent Kyoto swordsmith known for spears and engravings.

Muramasa's swords fell out of favor with the Japanese government when Tokugawa Ieyasu became shogun, establishing the Tokugawa Shogunate, in 1603. It is said that Ieyasu had lost many friends and relatives to Muramasa blades and had cut himself badly with one, so he forbade his samurai to wear blades made by Muramasa. This contributed even more to the Muramasa legend and led to many plays and dramas in Japanese literature featuring the blades. Due to the stigma attached to them, many Muramasa blades had their signature changed or removed. Since opponents of the Tokugawa Shoguns would often wish to acquire Muramasa blades, forgeries of Muramasa blades were also often made.

The swords of Muramasa are often contrasted with those of Masamune, another Japanese swordsmith.

There is a legend of a Masamune blade and a Muramasa blade being put into a river strewn with lotus leaves. The leaves swirled around the Masamune blade untouched, but the Muramasa blade cut them.

It has also been told that once drawn, a Muramasa blade has to draw blood before it can be returned to its scabbard, even to the point of forcing its wielder to wound himself or commit suicide.Thus, it is thought of as a demonic cursed blade that creates bloodlust in those who wield it.

Japanese sword

Katana (刀 or かたな, Katana?) is a type of Japanese sword (nihontō). The term is sometimes incorrectly used as a generic name for Japanese swords.
The katana gets its gentle curve from quenching during forming; it is actually straight prior to quenching. Differential quenching causes martensite to form predominantly in the edge of the blade rather than the back; as the edge expands, the blade takes on a gently curved shape.[citation needed]They were the main weapons of the Samurai.

Etymology

Originally used as a general term for single-edged sword, as opposed to tsurugi (剣 or つるぎ, tsurugi?), which are double-edged swords, the term is now used specifically to describe nihontō that are around 70–90 cm long with a curved blade. This is different from Chokutō (直刀 or ちょくとう, Chokutō?), which is a straight blade.
Pronounced kah-tah-nah in the kun'yomi (Japanese reading) of the kanji 刀, the word has been adopted as a loanword by the English language. As Japanese does not have separate plural and singular forms, both "katanas" and "katana" are considered acceptable plural forms in English.[citation needed] Strictly speaking, the word "katana" only refers to the longer variants of nihontō.

History

The katana was mostly paired with the wakizashi or shōtō, a similarly made but smaller sword, both worn by the members of the warrior class. It could also be worn with the tantō, an even smaller similarly shaped blade. The two weapons together were called the daishō and represented the social power and personal honour of the samurai. Although the name katana is more common it only refers to the longer swords.

Ownership and trade in the United Kingdom

As of April 2008, the British government added swords with a curved blade of 50 centimetres or over in length (and for the purposes of this sub-paragraph, the length of the blade shall be the straight line distance from the top of the handle to the tip of the blade) to the Offensive Weapons Order. This ban was a response to reports that Samurai swords were used in more than 80 attacks and four killings over the four preceding years. Those who violate the ban would be jailed up to six months and charged a fine of £5,000. Martial arts practitioners, historical re-enactors and people currently possessing such swords may still own them. The sword can also be legal provided it was made in Japan before 1954, or was made using traditional sword making methods. This ban currently applies in England, Wales and Northern Ireland.