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Mon (紋, Mon)(plural mon), also monshō (紋章, monshō), mondokoro (紋所, mondokoro), and kamon (家紋, kamon), are Japanese heraldic symbols. Mon may refer to any symbol, while kamon and mondokoro refer specifically to family symbols. Mon serve roughly similar functions to badges, crests, and coats of arms in European heraldry.
History
It is thought that mon originated as fabric patterns to be used on clothes in order to distinguish individuals or signify membership in a specific clan or organisation. By the twelfth century, sources give a clear indication that heraldry had been implemented as a distinguishing feature, especially for use in battle. It is seen on flags, tents and equipment.
Like Western heraldry, mon were initially held only by aristocratic families, and were gradually adapted by commoners. On the battlefield, mon served as army standards, even though this usage was not universal and uniquely designed army standards were just as common as mon-based standards. (cf. sashimono, uma-jirushi) Mon were also adapted by various organizations, such as merchant and artisan guilds, temples and shrines, theatre troupes and even criminal gangs. In an illiterate society, they served as useful symbols for recognition.
Japanese traditional formal attire generally displays the mon of the wearer. Commoners without mon often used the mon of their patron or the organization they belonged to. In cases when none of those were available, they sometimes used one of the few mon which were seen as "vulgar", or invented or adapted whatever mon they wished, passing it on to their descendants. It was not uncommon for shops, and therefore shopowners, to develop mon to identify themselves.
Rules regulating the choice and use of mon were somewhat limited, though the selection of mon was generally determined by social customs. It was considered improper to use a mon that was known to be held by someone else, and offensive to use a mon that was held by someone of a high rank. When mon came into conflict, the lower-ranked person sometimes changed their mon to avoid offending their superior. The mon held by the ruling clans of Japan, such as Tokugawa's hollyhock mon and the Emperor's chrysanthemum mon, were legally protected from unauthorized usage.
Occasionally, patron clans granted the use of their mon to their retainers as a reward. Similar to the granting of the patron's surnames, this was considered a very high honour. Alternatively, the patron clan may have added elements of its mon to that of its retainer, or choose a completely different mon for them.
Design
There are no set rules in the design of a mon. It most commonly consists of a roundel encircling a figure of plant, animal, man-made, natural or celestial objects, all abstracted to various degrees. Religious symbols, geometric shapes and kanji were commonly used as well.
Similar to the blazon in European heraldry, mon are also named by the content of the design, even though there is no set rule for such names. Unlike in European heraldry, however, this "blazon" is not prescriptive - the depiction of a mon does not follow the name - instead the names only serve to describe the mon. The pictorial depictions of the mon are not formalized and small variations of what is supposed to be the same mon can sometimes be seen, but the designs are for the most part standardized through time and tradition.
Japanese heraldry does not have a cadency or quartering system, but it is not uncommon for cadet branches of a family to choose a slightly different mon from the senior branch. Mon holders may also combine their mon with that of their patron, benefactor or spouse, sometimes creating increasingly complicated designs.
Mon are essentially black-and-white; the colour does not constitute part of the design and they may be drawn in any colour.
Modern usage
Virtually all modern Japanese families have a mon, though modern usage is rare. Many Japanese may no longer recognize their own family's mon. On occasions when the use of mon is required, one can try to look it up in the temple registries of their ancestral hometown or consult one of the many genealogical publications available. Professional wedding planners, undertakers and other ritual masters may also offer guidance on finding the proper mon.
Mon can still be seen widely on stores and shops engaged in traditional crafts and specialities. They are favoured by sushi restaurants which often incorporate a mon into their logos, while mon designs can be seen on the ceramic roof tiles of older houses. Mon designs also frequently appear on senbei, sake, tofu, and other packaging for foodstuffs to lend them an air of elegance and refinement. The paulownia mon appears on the obverse side of the 500 yen coin.
Items symbolising family crafts, arts or professions were often chosen as a mon. A fan design might be chosen by a geisha. A woman may still wear her maiden mon if she wishes and pass them on to her daughters and does not have to adopt her husband's or father's mon.
Mon add formality to a kimono. A kimono may have one or three or five mon. The mon themselves can be more or less formal; more formal kimono display more numerous mon, and frequently in a manner so as to make them stand out more. This may help dress up or dress down the formality of a kimono at the wearer's discretion. In the dress of the ruling class, the mon could be found on the kimono on both sides of the chest, on both sleeves, and in the middle of the back. On the armour, it could be found on the kabuto (helmet), on the do (cuirass), flags, and various other places. Mon could also be found on coffers, tents, fans, and many other items of importance.
As in the past, modern mon are not regulated by any law, with the exception of the imperial chrysanthemum, which doubles as the national emblem, and the paulownia, which is the mon of the office of prime minister and also serves as the emblem of the cabinet and the government. Some local governments, associations and businesses may use mon as their logo or trademark, and thus enjoy all the protection as such, but otherwise mon are not recognized by law. One of the best known examples of a corporate logo in the form of a mon is the logo for Mitsubishi, a name meaning "three water chestnuts", which are represented as rhombuses.
History
It is thought that mon originated as fabric patterns to be used on clothes in order to distinguish individuals or signify membership in a specific clan or organisation. By the twelfth century, sources give a clear indication that heraldry had been implemented as a distinguishing feature, especially for use in battle. It is seen on flags, tents and equipment.
Like Western heraldry, mon were initially held only by aristocratic families, and were gradually adapted by commoners. On the battlefield, mon served as army standards, even though this usage was not universal and uniquely designed army standards were just as common as mon-based standards. (cf. sashimono, uma-jirushi) Mon were also adapted by various organizations, such as merchant and artisan guilds, temples and shrines, theatre troupes and even criminal gangs. In an illiterate society, they served as useful symbols for recognition.
Japanese traditional formal attire generally displays the mon of the wearer. Commoners without mon often used the mon of their patron or the organization they belonged to. In cases when none of those were available, they sometimes used one of the few mon which were seen as "vulgar", or invented or adapted whatever mon they wished, passing it on to their descendants. It was not uncommon for shops, and therefore shopowners, to develop mon to identify themselves.
Rules regulating the choice and use of mon were somewhat limited, though the selection of mon was generally determined by social customs. It was considered improper to use a mon that was known to be held by someone else, and offensive to use a mon that was held by someone of a high rank. When mon came into conflict, the lower-ranked person sometimes changed their mon to avoid offending their superior. The mon held by the ruling clans of Japan, such as Tokugawa's hollyhock mon and the Emperor's chrysanthemum mon, were legally protected from unauthorized usage.
Occasionally, patron clans granted the use of their mon to their retainers as a reward. Similar to the granting of the patron's surnames, this was considered a very high honour. Alternatively, the patron clan may have added elements of its mon to that of its retainer, or choose a completely different mon for them.
Design
There are no set rules in the design of a mon. It most commonly consists of a roundel encircling a figure of plant, animal, man-made, natural or celestial objects, all abstracted to various degrees. Religious symbols, geometric shapes and kanji were commonly used as well.
Similar to the blazon in European heraldry, mon are also named by the content of the design, even though there is no set rule for such names. Unlike in European heraldry, however, this "blazon" is not prescriptive - the depiction of a mon does not follow the name - instead the names only serve to describe the mon. The pictorial depictions of the mon are not formalized and small variations of what is supposed to be the same mon can sometimes be seen, but the designs are for the most part standardized through time and tradition.
Japanese heraldry does not have a cadency or quartering system, but it is not uncommon for cadet branches of a family to choose a slightly different mon from the senior branch. Mon holders may also combine their mon with that of their patron, benefactor or spouse, sometimes creating increasingly complicated designs.
Mon are essentially black-and-white; the colour does not constitute part of the design and they may be drawn in any colour.
Modern usage
Virtually all modern Japanese families have a mon, though modern usage is rare. Many Japanese may no longer recognize their own family's mon. On occasions when the use of mon is required, one can try to look it up in the temple registries of their ancestral hometown or consult one of the many genealogical publications available. Professional wedding planners, undertakers and other ritual masters may also offer guidance on finding the proper mon.
Mon can still be seen widely on stores and shops engaged in traditional crafts and specialities. They are favoured by sushi restaurants which often incorporate a mon into their logos, while mon designs can be seen on the ceramic roof tiles of older houses. Mon designs also frequently appear on senbei, sake, tofu, and other packaging for foodstuffs to lend them an air of elegance and refinement. The paulownia mon appears on the obverse side of the 500 yen coin.
Items symbolising family crafts, arts or professions were often chosen as a mon. A fan design might be chosen by a geisha. A woman may still wear her maiden mon if she wishes and pass them on to her daughters and does not have to adopt her husband's or father's mon.
Mon add formality to a kimono. A kimono may have one or three or five mon. The mon themselves can be more or less formal; more formal kimono display more numerous mon, and frequently in a manner so as to make them stand out more. This may help dress up or dress down the formality of a kimono at the wearer's discretion. In the dress of the ruling class, the mon could be found on the kimono on both sides of the chest, on both sleeves, and in the middle of the back. On the armour, it could be found on the kabuto (helmet), on the do (cuirass), flags, and various other places. Mon could also be found on coffers, tents, fans, and many other items of importance.
As in the past, modern mon are not regulated by any law, with the exception of the imperial chrysanthemum, which doubles as the national emblem, and the paulownia, which is the mon of the office of prime minister and also serves as the emblem of the cabinet and the government. Some local governments, associations and businesses may use mon as their logo or trademark, and thus enjoy all the protection as such, but otherwise mon are not recognized by law. One of the best known examples of a corporate logo in the form of a mon is the logo for Mitsubishi, a name meaning "three water chestnuts", which are represented as rhombuses.
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